表演式繪畫 ╳ 女性議題

2020 臺北藝穗節榮獲「其他中的其他」

「女」字，筆畫有三：先撇點，再一撇，最後蓋上一橫。是不是得依照既定筆畫書寫，才像是一個女字？

表演式繪畫與現代舞展開一段跨時代對話：黑墨於畫布上流動，而舞者透過重複書寫「女」，追問與反思女性在當代社會中的定位。

即便只有一位表演者，但她所舞的，是一支女性共舞的議題。

獻給為生命而舞的我們。

This performative drawing work is inspired by Chinese calligraphy. 

'女', the Chinese word for woman, contains three strokes. It has to be written in the set order, as women are expected to perform in certain patterns. The performer embodied the writing and transformed it into dancing. Through the repetitive movements, dissecting and reforming the word, she undergoes a negotiation between the outside world and herself.